|
|
| |
|
CIVILIZATION OF THE ROCKS
THE VALLEY OF WESTERN PHRYGIA |

The rock cliffs of the Phrygian Valley, a natural wonder, have
been turned into magnificent monuments by human hands
|
There are
fairy tales that begin, "Once upon a time in a happy land
where people lived in peace and plenty. " Fertile lands of
golden ears of grain and forests of emerald green, where
fairies dance in luxuriant gardens deep in valleys riven by
sparkling streams. Lands of goodness and justice, where the
sky is always blue, a magical and slightly mysterious
landscape that lures, astonishes and awes the visitor. |
|
|

The
Midas-Yazılıkaya monumetn is the most impressive of those
built for Cybele by the legendary King Midas |
The
Phrygian Valley is such a place, a fabled land of magic,
peace and beauty. Plains, groves, flat-topped mountains, and
the steep volcanic rocks that render this landscape
extraordinary. The Phrygian Valley is a land of stunning
natural formations where white fairy chimneys crop up
sporadically amidst the lush vegetation. But what makes it
truly special is that these rocks have been transformed into
splendid monuments by human hands. |
|
High or low,
pointed or flat, almost every hill and jutting rock here has
been worked by man. The landscape created by these rocks, once
fortresses, refuges, temples or graves, and by the endless
underground networks of tunnels and passages and enormous
cisterns, is what makes this fabled geography at once
so mysterious
and magical.
|
ROCKS THAT
EXUDE CULTURE
This valley, which boasts the most striking monuments of the
Phrygian world, is actually
a series
of several valleys. Known in Antiquity as Lesser Phrygia,
this mountainous strip in upper Sakarya, intersected by the
provinces of Eskişehir, Afyonkarahisar and Kütahya, is a
virtual civilization of rock-dwellers. Midas- Yazılıkaya
with its monumental Midas inscription, and the valleys of
Kümbet, Köhnüş (Göynüş) and Karababa, are one of Anatolia's
most remarkable regions for revealing the unique face of
Phrygian culture, |

Bahşayiş Monument |
|
as
well as the rich natural beauty of the landscape. It's
not for nothing that Lesser Phrygia was known in Greek
as Phrygia Salutaris, 'healthy Phrygia '. Fresh waters
and thermal springs, abundant oxygen, and trees of every
species, which Phrygian carpenters transformed into
tasteful furniture. |
|

Kümbet Valley's
'caves with apertures', as they
are known to the locals |
WHO
ARE THESE PHRYGIANS?
The rock civilization of the Phrygians speaks a
multi-dimensional language of superior workmanship,
artistic spirit, and religious belief. Their kingdom,
traditions and lifestyle naturally flow from the same
language. But this still fails to lift the mysterious
veil that conceals their identity. |
|
Their
Indo-European language has not yet been deciphered. Even
Strabo(1 st cent. B. C. - 2nd cent. AD.), famed
geographer of antiquity, was stumped, asking in the end,
"So who are these Phrygians?" The Phrygians first appear
as a powerful state in Assyrian sources in the 8th
century B. C. |
|
The
names of Gordios, its legendary founder, and his son
Midas stand out, followed by the Persian invasion in the
6th century and the ultimate demise of the state. What
is known however is that Phrygian culture survived for
about three more centuries through the Greek and up to
the Roman periods. Evidence of its existence lies in the
magnificent monuments the Phrygians left behind, in the |

The Roman-period
Salon Grave |
goddess Cybele and the world-famous legends of Attis and
Marsiyas, of Alexander the Great and the Gordian knot,
and of the ears and gold of King Midas. These legends
also attest to the creativity of the Phrygians.
According to some ancient writers, the Phrygians were
the inventors of the flute and several other musical
instruments. The word 'tapestry', variants of which
occur in many languages today, is also Phrygian in
origin. And a floor mosaic made of painted pebbles
discovered at Gordian is the first known example of this
art.
|

The
matchless Seljuk kümbet, known as 'Himmet Baba' |
UNDER CYBELE'S WINGS
As mother of the earth, mountains and all living
things, Cybele stands guard over the land of the
Phrygians from these monumental rock carvings.
Although the meaning of the inscription is not yet
precisely understood, her name is readily
discernible among the words, in the word mater
(matel/matep/matera), for example, inscribed on the
great Midas Monument (Eskişehir's Han township),
regarded today as one of the wonders of the world.
Cybele also makes her presence felt outside this
giant monument, erected for King Midas according to
an inscription in its niche. The monuments at
Arazastis/Areyastin (Han) and Bahşayiş in the Kumbet
Valley (Seyitgazi township) and the smallerscale
Berberini monument are some of the most interesting
rock facades dedicated to the Great Mother goddess. |
|
Meanwhile the Aslankaya Monument on the plain of
Döger (Afyon's Ihsaniye township) dominates the
entire plateau. Surrounded by sacred lions, Cybele
seems to protect the entire land from deep in the
rocks. Leaving no spot undefended, she summons
people to her cult at the nearby Great Kapl Kaya
Monument. The lions that appropriately symbolize her
power are usually positioned on either side of her,
touching her shoulders --often
so
realistically that they seem about to come to life,
for example, at the Aslantaş and the toppled
Yılantaş monument in Köhnüş Valley (Ihsaniye).
|
|
Meanwhile the Aslankaya Monument on the plain of
Döger (Afyon's Ihsaniye township) dominates the
entire plateau. Surrounded by sacred lions, Cybele
seems to protect the entire land from deep in the
rocks. Leaving no spot undefended, she summons
people to her cult at the nearby Great Kapl Kaya
Monument. The lions that appropriately symbolize her
power are usually positioned on either side of her,
touching her shoulders --often
so
realistically that they seem about to come to life,
for example, at the Aslantaş and the toppled
Yılantaş monument in Köhnüş Valley (Ihsaniye).
Evolving as Kubile or Kibele from the Kubaba of
Hittite and earlier |

With its
natural sanctuaries, fresco-decorated churches and
graves adomed with fascinating
relief carvings, Ayazin inspires awe |
|
cultures, she is a universal symbol of prosperity,
abundance, procreation and permanence, safeguarding
Phrygia in the countryside, on the steep rocks,
beneath the cities and around the fields, blessing
the fabled landscape not only in great monuments but
from small niches in the many altars dedicated to
her cult.
|
|

Interestingly shaped volcanic rocks
hollowed out as burial chambers form an
extraordinary landscape |

Doors in the
rocks provide a link with the world for the grave
owner as he sinks into eternal sleep |
|
|
|
|
|
|
Source: Skylife 01/04 |
|
Nermin Bayçın&Nusret Nurdan Eren |
|
|
|
|
|
|
|
|
|
|
|
|
|
|